The Birthplace of Korean True-View Landscape Painting
In the early eighteenth century, master painter Jeong Seon (1676–1759) lived near Mount Inwang under the literary patronage of the Six Chang brothers—most notably Kim Chang-hyeop and Kim Chang-heup. Rejecting the conventional practice of copying idealized Chinese painting manuals, Jeong Seon climbed the granite crags above Cheongpung-gye and painted Korea's native scenery as it truly appeared, sparking the True-View Landscape movement (*Jingyeong Sansuhwa*).
At pavilions like Songjeong (Pine Pavilion) and Cheongpung-gye, scholars gathered to compose poetry, conduct philosophical debates on Neo-Confucian metaphysics (Horak debate), and practice Chinese clerical and cursive calligraphy.
Scattered across modern Ogin-dong, Pilun-dong, and Buam-dong are enduring rock carvings (*Gak-ja*), including the monumental 'Baek-se-cheong-pung' (百世淸風) carved in tribute to Kim Sang-yong's martyrdom.
In 2012, the Seoul Metropolitan Government removed obsolete apartment blocks from Suseong-dong Valley to restore the historical ravine and Kirin Bridge precisely as rendered in Jeong Seon's painting.